June has been crazy, with a series of ups and downs, along with a lot of changes. This week, I started a new job. Things are starting to settle down now, hence this blog post.
Normally, I don’t plot much, and when I did, I often didn’t follow the plot. Until recently, I have been a panster. But the plot for East of Yesterday remained mostly intact, so I’m trying it again for the sequel. I started out with index cards, but when I realized I could do the exact same thing more effectively with Visio, I transferred the cards to Visio processes (using the Flowchart template), created some swimlanes for the POV characters, and took off.
South of Yesterday is just a working title, but it works pretty well, because for the most part, the plot takes place even further in the past. Areas that are blocked together will probably end up in the same chapter. This is helping me estimate how long the book might be. I had all these characters converge in a major confrontation in what will probably be the early second half of the novel. I don’t know, however. It is hard to get a feel for the length.
In the past, whenever I outlined, it the act of outlining would sap some of my enthusiasm for the story. The reason for that, I think, was those outlines were too detailed. With this approach, I can only fit about fifteen characters in each of those boxes. This helps keep my outlines in the ideal state of sketchiness. I can’t wait to write these scenes, and that’s how it should be.
I’m finding it difficult to plot much further than that confrontation. I know what the villain is doing, and some of the shades-of-gray characters, but not everyone else. There is a doosey of a betrayal, and an even better rescue involving forgiveness and transformation on the part of both the rescuer and the rescuee. The plots for some of these characters may come to an end, with formerly-secondary characters jumping into starring roles.
This month of change has been good for this plotting process. Because I have been so busy with all this newness and all my obligations, I am forced to just let it sit. I occasionally open it up and add boxes when I have a flash of insight, as I did with my betrayal and subsequent rescue/forgiveness/transformation. But for the most part, it’s just percolating. Which is just what I think it needs.
2 Thoughts to “Plotting a New Novel”
Stories that travel over multiple timelines probably need a little more in the outline department. 🙂
Yes. This sort of visual outline is working well for me.
Now I’ve gone and changed some things in the ending of the first book, so I’ll have to tweak both my synopsis and this outline. But only tweak. I didn’t change things drastically.
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